| dc.rights.license | https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode | none |
| dc.contributor.author | Kesting, Marietta | |
| dc.date.accessioned | 2022-02-08T11:54:28Z | |
| dc.date.available | 2022-02-08T11:54:28Z | |
| dc.date.issued | 2021 | |
| dc.identifier.issn | 2197-6910 | none |
| dc.identifier.uri | https://www.genderopen.de/25595/2165 | |
| dc.language.iso | eng | none |
| dc.subject | Kunst | none |
| dc.subject | Medien | none |
| dc.subject.ddc | 700 Künste | none |
| dc.title | Introduction // Sound | In Empty Rooms : Lonely Listening to Affective Streams, and Production Politics | none |
| dc.type | article | |
| dc.identifier.doi | http://dx.doi.org/10.25595/2159 | |
| dc.source.pageinfo | 7-18 | none |
| dc.type.version | publishedVersion | none |
| dc.source.journal | FKW : Zeitschrift für Geschlechterforschung und visuelle Kultur | none |
| dc.source.issue | 69 | none |
| local.type | Zeitschriftenartikel | |
| local.freeculturelicence.intern | others see free text field | none |
| local.otherlicense.intern | https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode | none |
