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dc.rights.licensehttps://creativecommons.org/licenses/by-nc-nd/3.0/de/legalcode.de
dc.contributor.authorLevick-Parkin, Melanie
dc.date.accessioned2025-02-10T10:42:28Z
dc.date.available2025-02-10T10:42:28Z
dc.date.issued2017
dc.identifier.issnissn:1868-7245
dc.identifier.urihttps://www.genderopen.de/25595/2742
dc.description.abstractThis article critiques the way in which contemporary western design ontology is constructed, why this affects conceptions of female creative practice and how this impacts on women’s lives. Starting with a personal account of educating female designers, the article aims to unpack the different ways in which ontologically invisible patriarchal and capitalist value systems act on us as designers, aided by processes of embodiment which are essential to design practice. It calls for the “dedesigning” of our ontology as designers through feminist epistemologies and practices which keep questions about transformations, futured by design, in a state of critical plasticity by attending to sociopolitical, socio-economical and ecological ethics whilst keeping issues of gender exclusion at its core.
dc.language.isoeng
dc.subjectcritiques of patriarchal capitalism
dc.subjectembodied values in design
dc.subjectfeminist design ontology
dc.subjectKapitalismus
dc.subjectPatriarchat
dc.subject.ddcddc:502
dc.titleThe values of being in design: Towards a feminist design ontology
dc.typearticle
dc.typearticle
dc.identifier.doihttp://dx.doi.org/10.25595/2736
dc.source.pageinfo11–25
dc.type.versionpublishedVersion
dc.source.journalGender : Zeitschrift für Geschlecht, Kultur und Gesellschaft
dc.source.issue3
dc.source.volume9
dc.identifier.pihttps://doi.org/10.3224/gender.v9i3.02
local.typeZeitschriftenartikel


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