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dc.rights.licensehttps://creativecommons.org/licenses/by/4.0/legalcode.denone
dc.contributor.authorl'Amour laLove, Patsy
dc.contributor.editorNagelschmidt, Ilse
dc.contributor.editorBorrego, Britta
dc.contributor.editorMajewski, Daria
dc.contributor.editorKönig, Lisa
dc.date.accessioned2018-07-03T11:54:57Z
dc.date.available2018-07-03T11:54:57Z
dc.date.issued2017
dc.identifier.isbn978-3-631-68119-0none
dc.identifier.issn1868-145Xnone
dc.identifier.urihttps://www.genderopen.de/25595/403
dc.description.abstractMarilyn Manson as a public figure represents exemplarily aspects of goth subculture: Aspects of life that shall be denied as not belonging to a fulfilled and happy life from a normative point of view are being integrated in a way that is marked by pleasure. Patsy l‘Amour laLove uses psychoanalytic approaches to the integration of chaos, of pain and failure in Manson‘s recent works.none
dc.language.isogernone
dc.publisherPL Academic Researchnone
dc.subjectMusiknone
dc.subjectHomosexualitätnone
dc.subjectMännlichkeitnone
dc.subject.ddc780 Musiknone
dc.subject.ddc300 Sozialwissenschaftennone
dc.subject.otherPsychoanalysenone
dc.subject.otherManson, Marilynnone
dc.titleIntegration des Chaos : Marilyn Manson, Männlichkeit, Lust und Scheiternnone
dc.typebookPart
dc.identifier.doihttp://dx.doi.org/10.25595/398
dc.source.pageinfo169-194none
dc.type.versionsubmittedVersionnone
dc.source.collectionGeschlechtersemantiken und Passing be- und hinterfragennone
dc.source.seriesLeipziger Gender-Kritiknone
dc.source.volume8none
dc.publisher.placeFrankfurt am Mainnone
dc.publisher.placeBernnone
dc.publisher.placeWiennone
local.typeSammelbandbeitrag


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