dc.rights.license | https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode.de | none |
dc.contributor.author | Bergermann, Ulrike | |
dc.contributor.editor | Bergermann, Ulrike | |
dc.contributor.editor | Heidenreich, Nanna | |
dc.date.accessioned | 2018-10-18T11:51:11Z | |
dc.date.available | 2018-10-18T11:51:11Z | |
dc.date.issued | 2014 | |
dc.identifier.isbn | 978-3-8376-2766-4 | none |
dc.identifier.uri | https://www.genderopen.de/25595/491 | |
dc.language.iso | ger | none |
dc.publisher | transcript Verlag | none |
dc.subject | Kunst | none |
dc.subject | Universalismus | none |
dc.subject | Frauenbild | none |
dc.subject | Kolonialismus | none |
dc.subject | Kapitalismus | none |
dc.subject | Poststrukturalismus | none |
dc.subject | Rassismus | none |
dc.subject | Sexismus | none |
dc.subject.ddc | 770 Fotografie, Fotografien, Computerkunst | none |
dc.title | Zur Universalität von Whiteness und Hate pictures | none |
dc.type | bookPart | |
dc.identifier.doi | http://dx.doi.org/10.25595/485 | |
dc.source.pageinfo | 253-267 | none |
dc.type.version | publishedVersion | none |
dc.source.collection | total : Universalismus und Partikularismus in post_kolonialer Medientheorie | none |
dc.source.series | Post_koloniale Medienwissenschaft | none |
dc.publisher.place | Bielefeld | none |
dc.title.subtitle | Candice Breitz' schneidende Bildtechniken | none |
local.type | Sammelbandbeitrag | |