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dc.rights.licensehttps://www.hbz-nrw.de/produkte/open-access/lizenzen/dppl/dppl/DPPL_v2_de_06-2004
dc.contributor.authorAngerer, Marie-Luise
dc.date.accessioned2021-04-15T10:21:46Z
dc.date.available2021-04-15T10:21:46Z
dc.date.issued2014
dc.identifier.issn2197-6910
dc.identifier.urihttps://www.genderopen.de/25595/2055
dc.description.abstractStarting with the Fly, Yoko Ono’s video from the early 1970s, this article compares a feminist reading of the 1970s/80s with a performative, new materialist reading as developed since the 1990s. Whereas feminist art and media theories center on psychoanalytical concepts such as the gaze and the disavowal of the female/maternal body, new feminist materialism takes the body – the one represented in the image and in the viewer’s body – as concrete, material co-processors provoking and stimulating a desire in motion. Whereas the 1970s understood the image as a chain of signification (and real women not fitting the concept of the WOMAN), the new reading goes beyond any semantic-linguistic interpretation. Today, a “philosophy of feeling” (Susanne Langer) focussing on movement, materiality, touch and sensation, meets the old anxieties of the 1970s where woman, body, feelings came along with nature – and nature was the pure opposite of the male logos ruling the world, producing knowledge, and governing policy.
dc.language.isoger
dc.subjectAffekt
dc.subjectKunst
dc.subject.ddc700 Künste
dc.subject.ddcBildende und angewandte Kunst
dc.subject.otherNew Materialism
dc.subject.otherVideo
dc.titleAffekt und Repräsentation – Blick und Empfinden
dc.typearticle
dc.identifier.doihttp://dx.doi.org/10.25595/2049
dc.source.pageinfo26–37
dc.type.versionpublishedVersion
dc.source.journalFKW : Zeitschrift für Geschlechterforschung und visuelle Kultur
dc.source.issue55
local.typeZeitschriftenartikel


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