Contemporary Women’s Cinema
| dc.contributor.author | Behlil, Melis | |
| dc.date.accessioned | 2018-10-30T15:13:01Z | |
| dc.date.available | 2018-10-30T15:13:01Z | |
| dc.date.issued | 2013 | |
| dc.identifier.doi | http://dx.doi.org/10.25595/492 | |
| dc.identifier.issn | 2213-0217 | none |
| dc.identifier.pi | 10.5117/NECSUS2013.2.BEHL | none |
| dc.identifier.uri | https://www.genderopen.de/25595/498 | |
| dc.language.iso | eng | none |
| dc.rights.license | https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode.de | none |
| dc.source.issue | 2 | none |
| dc.source.journal | Necsus : European Journal of Media Studies | none |
| dc.source.pageinfo | 616–620 | none |
| dc.source.volume | 2 | none |
| dc.subject | Frauen | none |
| dc.subject | Film | none |
| dc.subject | Debatte | none |
| dc.subject | Universität | none |
| dc.subject.ddc | 791 Öffentliche Darbietungen, Film, Rundfunk | none |
| dc.title | Contemporary Women’s Cinema | none |
| dc.title.subtitle | Global Scenarios and Transnational Contexts (28-29 May 2013, Roma Tre University, Italy) | none |
| dc.type | article | |
| dc.type.version | publishedVersion | none |
| local.type | Zeitschriftenartikel |