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dc.rights.licensehttps://www.hbz-nrw.de/produkte/open-access/lizenzen/dppl/dppl/DPPL_v2_de_06-2004
dc.contributor.authorBippus, Elke
dc.date.accessioned2021-04-29T13:18:43Z
dc.date.available2021-04-29T13:18:43Z
dc.date.issued2014
dc.identifier.issn2197-6910
dc.identifier.urihttps://www.genderopen.de/25595/2059
dc.description.abstractThis article starts from the assumption that the critique of representation is fundamental for a critical conceptualization of affect. In this regard, theories discussed in the tradition of Spinoza are crucial; they connect affect with a reflexive moment and at the same time determine it as a fundamental affection preceding the subject. As a result of this perspectivism,  affect can be associated on the one hand with artistic practices, on the other hand it can be characterized as a co-evolutionary process of individuation between technique, organism, and the world. By trying to connect a critique of representation and affect theory, this contribution takes into account the current interest in affect – not in order to follow the myth of immediacy, but to render conceivable a critical attitude that includes the interrelation of reflexive-cognitive and affective-physical moments.
dc.language.isoger
dc.subjectAffekt
dc.subjectKunst
dc.subjectRepräsentation
dc.titleAffekt(de)regulierung durch Affizierung
dc.typearticle
dc.identifier.doihttp://dx.doi.org/10.25595/2053
dc.source.pageinfo16–25
dc.source.journalFKW : Zeitschrift für Geschlechterforschung und visuelle Kultur
dc.source.issue55
local.typeZeitschriftenartikel


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