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dc.rights.licensehttps://www.hbz-nrw.de/produkte/open-access/lizenzen/dppl/dppl/DPPL_v2_de_06-2004
dc.contributor.authorCzerney, Sarah
dc.date.accessioned2021-04-30T08:18:48Z
dc.date.available2021-04-30T08:18:48Z
dc.date.issued2015
dc.identifier.issn2197-6910
dc.identifier.urihttps://www.genderopen.de/25595/2081
dc.description.abstractThe article examines how national museums currently try to overcome national narratives by focussing on the former ethnological national museum in France, the MuCEM in Marseille. Starting from the observation that ‘general’ national history is male and white, written mainly by white men and marginalizing women’s lives, this article asks whether the opening of national towards transnational museums leads to a deconstruction of hegemonic identity categories like ‘nation’ and ‘gender’. The paper therefore analyzes one selected display from the MuCEM with a focus on the media used to exhibit transnational history.
dc.language.isoger
dc.subjectGender
dc.subjectKunst
dc.subject.ddc700 Künste
dc.subject.ddcBildende und angewandte Kunst
dc.subject.otherMuseum
dc.subject.otherAusstellung
dc.titleGendering the transnational : Gender und Medien transnationaler Historiografie im Musée des civilisations de l’Europe et de la Méditerranée Marseille (MuCEM)
dc.typearticle
dc.identifier.doihttp://dx.doi.org/10.25595/2075
dc.source.pageinfo95–105
dc.type.versionpublishedVersion
dc.source.journalFKW : Zeitschrift für Geschlechterforschung und visuelle Kultur
dc.source.issue58
local.typeZeitschriftenartikel


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