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dc.contributor.authorEngel, Antke
dc.date.accessioned2023-01-16T11:04:18Z
dc.date.available2023-01-16T11:04:18Z
dc.date.issued2008
dc.identifier.issn2197-6910none
dc.identifier.urihttps://www.genderopen.de/25595/2254
dc.description.abstractThe article investigates the social productivity of images, or, more specifically, their capacity to queer the heteronormative social order. Focusing on the agency function of images, it suggests a form of ekphrastic reading that acknowledges the power relations at work in the reading process itself. This process doubles the image through a detailed description, which step by step takes in elements of an unexpected discourse. Such an approach is exemplified through the reading of the series Pin Ups For Beginners, produced by the Hamburg-based artist durbahn in 2005. The work is viewed in the light of queer and feminist discourses on sexual representations and critical disability studies.none
dc.language.isogernone
dc.subjectQueernone
dc.subjectMachtnone
dc.subject.otherBildernone
dc.titleDas Bild als Akteur - das Bild als Queereur : Methodologische Überlegungen zur sozialen Produktivität der Bildernone
dc.typearticle
dc.identifier.doihttp://dx.doi.org/10.25595/2248
dc.source.pageinfo12-25none
dc.type.versionpublishedVersionnone
dc.source.journalFKW : Zeitschrift für Geschlechterforschung und visuelle Kulturnone
dc.source.issue45none
local.typeZeitschriftenartikel
local.freeculturelicence.internandere siehe Freitextfeldnone
local.otherlicense.internhttps://www.hbz-nrw.de/produkte/open-access/lizenzen/dppl/dppl/DPPL_v2_de_06-2004none


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