| dc.rights.license | https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode.de | none |
| dc.contributor.author | Mulvey, Laura | |
| dc.contributor.author | Backman Rogers, Anna | |
| dc.contributor.author | van den Oever, Annie | |
| dc.date.accessioned | 2018-10-30T15:45:38Z | |
| dc.date.available | 2018-10-30T15:45:38Z | |
| dc.date.issued | 2015 | |
| dc.identifier.issn | 2213-0217 | none |
| dc.identifier.uri | https://www.genderopen.de/25595/507 | |
| dc.description.abstract | Forty years after the publication of her seminal essay VISUAL PLEASURE AND NARRATIVE CINEMA in Screen, Laura Mulvey, together with Anna Backman Rogers, has edited Feminisms: Diversity, Difference, and Multiplicity in Contemporary Film Cultures, which is the latest instalment of The Key Debates series. NECSUS invited Laura Mulvey and Anna Backman Rogers to join Annie van den Oever, editor of NECSUS and series editor of The Key Debates, in a ‘triologue’, which in part reflects and re-emphasises the topics publicly discussed during the Feminisms symposia. | none |
| dc.language.iso | eng | none |
| dc.subject | Film | none |
| dc.subject | Feminismus | none |
| dc.subject | Debatte | none |
| dc.subject | Theorie | none |
| dc.subject | Geschlecht | none |
| dc.subject.ddc | 791 Öffentliche Darbietungen, Film, Rundfunk | none |
| dc.title | Feminist film studies 40 years after ‘Visual Pleasure and Narrative Cinema’, a triologue | none |
| dc.type | article | |
| dc.identifier.doi | http://dx.doi.org/10.25595/501 | |
| dc.source.pageinfo | 67-79 | none |
| dc.type.version | publishedVersion | none |
| dc.source.journal | Necsus: European Journal of Media Studies | none |
| dc.source.issue | 1 | none |
| dc.source.volume | 4 | none |
| dc.identifier.pi | 10.5117/NECSUS2015.1.MULV | none |
| local.type | Zeitschriftenartikel | |
