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dc.rights.licensehttps://creativecommons.org/licenses/by-nd/4.0/legalcode.denone
dc.contributor.authorKnauss, Stefanie
dc.date.accessioned2017-12-01T20:43:57Z
dc.date.available2017-12-01T20:43:57Z
dc.date.issued2015
dc.identifier.issn0948-9975none
dc.identifier.urihttps://www.genderopen.de/25595/69
dc.description.abstractPedro Almodóvar’s reappropriations of religious concepts and motifs (especially of Catholicism) frequently provide the focal point for his critique of both the religious establishment and gender norms grounded in religion and reinforced in society. Tracing Almodóvar’s critical and transformative representation of the central Christian concept of love in his cinema, in particular through the analysis of three films “about love”, Law of Desire, Live Flesh, and Volver, this paper shows that the materialization of this concept in Almodóvar’s oeuvre goes beyond the citation of preconceived ideas, and represents the emergence of a new vision of love, potentially transformative of individuals and societies.none
dc.language.isoengnone
dc.subjectLiebenone
dc.subjectBegehrennone
dc.subjectQueernone
dc.subjectChristentumnone
dc.subjectFilmnone
dc.subject.ddc791 Öffentliche Darbietungen, Film, Rundfunknone
dc.subject.otherKinonone
dc.subject.otherPedro Almodóvarnone
dc.subject.otherDas Gesetz der Begierdenone
dc.subject.otherLive Flesh - Mit Haut und Haarnone
dc.subject.otherVolver - Zurückkehrennone
dc.titleAll About Lovenone
dc.typearticle
dc.identifier.doihttp://dx.doi.org/10.25595/64
dc.source.pageinfo11-26none
dc.type.versionpublishedVersionnone
dc.source.journalFreiburger Zeitschrift für GeschlechterStudiennone
dc.source.issue1none
dc.source.volume21none
dc.title.subtitleThe Materialization of a Foundational Concept of Christianity in Pedro Almodóvar’s Queer Cinemanone
dc.identifier.pi10.3224/fzg.v21i1.20862
local.typeZeitschriftenartikel
local.data.provenanceDiese Publikation wird zur Verfügung gestellt in Kooperation mit dem Verlag Barbara Budrich.


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